This is one of those must-read books which I somehow never got round to until now. It’s one of Bradbury’s early works, written in 1953 under the shadow of The Bomb and the beginnings of the Cold War; it has … Continue reading →
The best science fiction is more than just whizz-bang intergalactic travel and weird aliens. It explores the implications of real aspects of human knowledge and poses interesting questions about them. This is what Dave Hutchinson does in “Acadie”, though I … Continue reading →
This is the second outing for DI Malcolm Fox in Rankin’s post-Rebus world. I haven’t read the first, but I was disappointed with this book. It has a large – possibly too large – cast of characters but none of … Continue reading →
In this third book featuring lone maverick detective Nick Belsey, he is once again in deep trouble with the Met, facing disciplinary action and a probable charge of murder. Hiding out to postpone the inevitable he accidentally stumbles into the … Continue reading →
It should have been the perfect art heist carried out by art lovers turned amateur criminals. But the real underworld of Edinburgh came in on the act and things turned unpleasant. No Rebus in this novel, but Rankin hasn’t lost … Continue reading →
Like Iain Pears’ ‘Stone’s Fall‘, ‘An Instance of the Fingerpost’ has greed, espionage, love, lust, betrayal, duplicity and murder. And like Stone’s Fall it is told in different voices, four this time. Its setting is Oxford in the early 1660s, … Continue reading →
This book, the third in Dave Hutchinson’s ‘Fractured Europe’ series (of four, I gather) keeps up the standard set by the first two, ‘Autumn‘ and ‘Midnight‘. The action shifts from place to place, gradually digging through layers of confusion and … Continue reading →
In this story none of the characters comes out well, and there isn’t a happy ending.
Continue reading →A short novel lampooning Richard Dawkins. Some good jokes, and a surprise ending. Good fun, unless you’re Richard Dawkins.
Continue reading →This is the follow-up to “Europe in Autumn“. Unimaginatively, I’d expected it to pick up where ‘Autumn’ left off, but in ‘Midnight’ we have a whole new cast of characters.* Hutchinson develops the theme at the heart of ‘Autumn’, taking … Continue reading →